front cover of Art in the Lives of Immigrant Communities in the United States
Art in the Lives of Immigrant Communities in the United States
DiMaggio, Paul
Rutgers University Press, 2010
Art in the Lives of Immigrant Communities in the United States is the first book to provide a comprehensive and lively analysis of the contributions of artists from America's newest immigrant communities--Africa, the Middle East, China, India, Southeast Asia, Central America, and Mexico. Adding significantly to our understanding of both the arts and immigration, multidisciplinary scholars explore tensions that artists face in forging careers in a new world and navigating between their home communities and the larger society. They address the art forms that these modern settlers bring with them; show how poets, musicians, playwrights, and visual artists adapt traditional forms to new environments; and consider the ways in which the communities' young people integrate their own traditions and concerns into contemporary expression.
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front cover of Asian American Panethnicity
Asian American Panethnicity
Bridging Institutions and Identities
Yen Espiritu
Temple University Press, 1993
With different histories, cultures, languages, and identities, most Americans of Chinese, Japanese, Filipino, Korean, and Vietnamese origin are lumped together and viewed by other Americans simply as Asian Americans. Since the mid 1960s, however, these different Asian American groups have come together to promote and protect both their individual and their united interests. The first book to examine this particular subject, Asian American Panethnicity is a highly detailed case study of how, and with what success, diverse national-origin groups can come together as a new, enlarged panethnic group.

Yen Le Espiritu explores the construction of large-scale affiliations, in which previously unrelated groups submerge their differences and assume a common identity. Making use of extensive interviews and statistical data, she examines how Asian panethnicity protects the rights and interests of all Asian American groups, including those, like the Vietnamese and Cambodians, which are less powerful and prominent than the Chinese and Japanese. By citing specific examples—educational discrimination, legal redress, anti-Asian violence, the development of Asian American Studies programs, social services, and affirmative action—the author demonstrates how Asian Americans came to understand that only by cooperating with each other would they succeed in fighting the racism they all faced.

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Asian American Studies Now
A Critical Reader
Wu, Jean Yu-Wen Shen
Rutgers University Press, 2010
Asian American Studies Now truly represents the enormous changes occurring in Asian American communities and the world, changes that require a reconsideration of how the interdisciplinary field of Asian American studies is defined and taught. This comprehensive anthology, arranged in four parts and featuring a stellar group of contributors, summarizes and defines the current shape of this rapidly changing field, addressing topics such as transnationalism, U.S. imperialism, multiracial identity, racism, immigration, citizenship, social justice, and pedagogy.

Jean Yu-wen Shen Wu and Thomas C. Chen have selected essays for the significance of their contribution to the field and their clarity, brevity, and accessibility to readers with little to no prior knowledge of Asian American studies. Featuring both reprints of seminal articles and groundbreaking texts, as well as bold new scholarship, Asian American Studies Now addresses the new circumstances, new communities, and new concerns that are reconstituting Asian America.

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front cover of Filipino American Lives
Filipino American Lives
Yen Le Espiritu
Temple University Press, 1995

Filipino Americans are now the second largest group of Asian Americans as well as the second largest immigrant group in the United States. As reflected in this collection, their lives represent the diversity of the immigrant experience and their narratives are a way to understand ethnic identity and Filipino American history.

Men and women, old and young, middle and working class, first and second generation, all openly discuss their changing sense of identity, the effects of generational and cultural differences on their families, and the role of community involvement in their lives. Pre- and post-1965 immigrants share their experiences, from the working students who came before WWII, to the manongs in the field, to the stewards and officers in the U.S. Navy, to the "brain drain" professionals, to the Filipinos born and raised in the United States.

As Yen Le Espiritu writes in the Introduction, "each of the narratives reveals ways in which Filipino American identity has been and continues to be shaped by a colonial history and a white-dominated culture. It is through recognizing how profoundly race has affected their lives that Filipino Americans forge their ethnic identities—identities that challenge stereotypes and undermine practices of cultural domination."



In the series Asian American History and Culture, edited by Sucheng Chan, David Palumbo-Liu, Michael Omi, K. Scott Wong, and Linda Trinh Võ.
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front cover of Looking Back on the Vietnam War
Looking Back on the Vietnam War
Twenty-first-Century Perspectives
Boyle, Brenda M
Rutgers University Press, 2016
More than forty years have passed since the official end of the Vietnam War, yet the war’s legacies endure. Its history and iconography still provide fodder for film and fiction, communities of war refugees have spawned a wide Vietnamese diaspora, and the United States military remains embroiled in unwinnable wars with eerie echoes of Vietnam. 
 
Looking Back on the Vietnam War brings together scholars from a broad variety of disciplines, who offer fresh insights on the war’s psychological, economic, artistic, political, and environmental impacts. Each essay examines a different facet of the war, from its representation in Marvel comic books to the experiences of Vietnamese soldiers exposed to Agent Orange. By putting these pieces together, the contributors assemble an expansive yet nuanced composite portrait of the war and its global legacies.
 
Though they come from diverse scholarly backgrounds, ranging from anthropology to film studies, the contributors are united in their commitment to original research. Whether exploring rare archives or engaging in extensive interviews, they voice perspectives that have been excluded from standard historical accounts. Looking Back on the Vietnam War thus embarks on an interdisciplinary and international investigation to discover what we remember about the war, how we remember it, and why.
 
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